Tull’s ‘The Zealot Gene’ alternates between rock and progressive style

The Zealot Gene  includes songs similar to their previous hits, with their signature fairytale-style flute in some songs and driving drum beats in others.

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‘The Zealot Gene’ includes songs similar to their previous hits, with their signature fairytale-style flute in some songs and driving drum beats in others.

Evelyn Esek, Staff Writer

Classic rock band Jethro Tull’s sound is defined by the distinctive flute melodies played by frontman and lead vocalist Ian Anderson. Their newest record, The Zealot Gene, includes songs similar to their previous hits, with their signature fairytale-style flute in some songs and driving drum beats in others. 

The album has an overall mysterious feel, with songs alternating between a progressive/classic style and a catchy rock sound. 

Another aspect Jethro Tull is known for is Ian Anderson’s songwriting abilities, and this album is no exception. Anderson’s lyrics reflect humanity in general, with biblical allusions and classical influences in several of the songs. 

The album’s title track, “The Zealot Gene,” is similar to the title track of the band’s 1971 album, Aqualung, because it starts with a catchy repetitive guitar riff and adds in drums to build to the song. Other songs that keep the catchy progressive rock feel that are a fun listen include “Mine is the Mountain,” and “Mrs. Tibbets”.

Shoshana Sleeping” is another distinctive song for the band because of the synchronized buzzing flute and guitar parts. 

If the album is listened from start to finish, the songs blend together and create a contrast of styles from the beginning through the ending song. 

Overall, The Zealot Gene is a good listen for people wanting a unique addition to their music library.