Orville Peck’s sophomore album lets listeners delve into his masked persona

The concealed cowboy, who’s real name remains anonymous, is taking his first steps into the mainstream country genre with his newest album. In comparison to modern country music, Bronco is refreshing.

Bronco is bolder and more fearless, whereas Peck’s debut album Pony was more vague and played into the mysterious character he presents himself as. Peck, a queer man, embraces his sexuality, albeit never acknowledging that his identity makes him a black sheep in the country genre.

“Daytona Sand” is an invigorating and bold opener for the album. Peck sings over fast-paced strums of the guitar with surf music influence.

Peck’s impressive range is demonstrated on “C’mon Baby Cry.” Peck encourages listeners to let their guards down in relationships on this heartfelt track.

There is not a moment on the album where Peck isn’t singing passionately, whether the track is melancholy or exhilarating. Bronco gets better with every listen, even to those who may not like the genre.

Peck lets loose on “Bronco,” one of the more upbeat tracks on the album. “Any Turn” is riveting and fast-paced, and belongs in a cutscene in Red Dead Redemption.

“Let Me Drown” is a despairing ballad about loneliness following a break-up, guided by sorrowful piano and string instruments.

“All I Can Say,” a gentle yet rich duet, closes the album. Peck and his bandmate Bria Salmena detail a heartbreak, from both points of view, in a glitzy and dreamy style.

Peck’s Elvis-like baritone voice is unforgettable and though he may never publicly reveal his face, his music will always be recognizable.